At last! Some proper writing news to report.
This week I have sent Particular Stupidities (R&M File #5) off to the gentleman who proofreads my books. I wasn’t sorry to see it go. It’s been hanging around at home for a few weeks – or is it months? – while I’ve dithered over things, left it, gone back to it, read it again, left it, gone back to it, read it again ad nauseum. But I am happy with it. That’s the main thing. I really am happy with it.
This is my tenth book. With the other nine I have just released them with a bit of blogging and tweetiing and posting on Facebook – wiped their bums and hoped for the best. I’m determined to make more of an effort shouting about this one prior to its release. I need to DO something by way of promotion over and above the usual. Every week – make that every day – there are dozens of new books being released as well as back catalogues of older books that have been brought out as ebooks from the original print version. The competition to be noticed has never been fiercer.
I have not tried the pre-order option with Amazon, but this time I think I might. As I understand it, the advantage for authors with this scheme is that an interested reader can click on a button – job done – and then get the ebook automatically delivered on the day of release as opposed to trying to remember the publication date and forgetting all about it. This way authors don’t lose readers and downloads. When I tweet and blog and post on Facebook readers who notice and are interested will be able to click that pre-order button and forget about it until the day the book shows up on their Kindle. Everyone’s happy.
Something else that occurs to me – why didn’t I consider using the pre-order function before? Dunce.
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I was contacted by a very nice lady last week to see if I would be interested in completing an online interview for a magazine that has an interest in writers living and working outside their home nations.
http://thedisplacednation.com/
Naturally, I agreed. I spent much of the weekend staring at the blank screen trying to answer the questions. It was the closest I’ve come to experiencing writer’s block. I had no idea that I knew so little about my writing process. It was a bit of an eye-opener.
Here are the questions. I have a couple of writing buddies. I wonder how they would have tackled these.
Which came first, story or location?
What’s your technique for evoking the atmosphere of a place?
Which particular features create a sense of location? Landscape, culture, food?
Can you give a brief example of your work which illustrates place?
How well do you need to know the place before using it as a setting?
Which writers do you admire for the way they use location?
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So… what now? I remember reporting here recently that I was twenty-five thousand words into R&M#6 before I broke off for something I’ve forgotten. And then I started B&C #3 with an idea for an opening chapter. (I since took that up to ten-thousand words with a bit of a spurt. Another good start in the bank, I feel.) For now back to Romney and Marsh.
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In B&C #3 David Booker laments the anti-social nature of jet-skis, which are permitted by local bylaws to spoil everything for everyone who wants to sit in peace and quiet and enjoy the view from Dymchurch seawall. As luck would have it, I was out with my son walking by the seaside in Istanbul last weekend when a couple of jet-skis came skimming noisily over the water in our general direction. They are an uncommon sight here. My son and I had been throwing stones at a football that was floating in the sea about twenty yards out. No one seemed to be claiming it. One of the jet-ski pilots saw the ball, diverted to it, stopped, fished it out of the sea, motored over to us and threw the ball to us with a smile. He thought we’d lost it. It was a good ball. And new. How kind that was.
Life is a bit strange sometimes.