My ‘author year’.

Writer’s diary: stardate: 26.06.2014

Less than two years into my self-publishing adventure, and already I have established my ‘author year’. And why not? Other walks of life have the calendar year, the financial year, the fiscal year, the budget year, the sporting year and the academic year, for examples.

My ‘author year’ runs from September 1st to June 31st. Because I said so. And I’m in charge. Decisions have to be made and the buck stops with me.

First week of July we are heading back to the UK for the summer for the holidays. And if the weather can manage what we had last summer it will be another wonderful break, I’m sure. If you have never been to Dymchurch beach on a fine summer’s day you’ve missed something special.

In the UK my home is a two minute walk from the beach. Perfect for my three year old boy to commute to and play safely on.

Here is a snap from last year if you don’t believe me. (It’s worth clicking on it for the full-screen effect.)

Halcyon days in The Children's Paradise.

Halcyon days in The Children’s Paradise.

I won’t be hauling my laptop with me because that might tempt me to try to find time and space to write. I want to write. I love writing. I will miss writing. But I also want to enjoy my holiday with my family. If I take my laptop there will be a temptation and I don’t want the conflict to threaten my family holiday. Don’t forget I also have a day job; I need a break from everything, too. (There is no regular Internet connection for me back home, but I’ll try to keep up with correspondence on my trips with the ipad to Wi-Fi zones.)

I anticipate doing a lot of reading. There is a charity bookshop in Dymchurch which always has shelves of good and reasonably priced paperbacks for sale. How I’ve missed browsing bookshops. I anticipate long mornings reclining on the golden sands in The Children’s Paradise under the sea wall enjoying the sun and a good ‘real’ book while my son amuses himself on the beach.

This last ‘author year’ I self-published two books. Bad Sons and A Dog’s Life. I’ve also written the third in my Acer Sansom series, Smoke & Mirrors. I won’t get that out now until I return to Istanbul. It would have been good to, but it’s not ready, it needed extra work and still needs more. One of the great things about being a self-publisher is that there are no deadlines. When it’s ready and I’m happy, I’ll click publish. My apologies to any who were perhaps looking forward to this title for a summer read, but I’m sure you understand.

I’ve made a good start on the second B&C but I’m going to have to shelve it until I return. I had hopes of at least finishing the first draft before we head home but I forgot to factor in the World Cup to my ‘author year’. Watching three matches a night in my time zone is taking its toll on my creativity and energy. Again, it’s a choice and one I’m happy to make.

My realistic predictions for the next ‘author year’ are not particularly encouraging, but it’s best to face up to them and get used to them rather than live in denial. That won’t be helpful, and life can be tough enough without creating additional pressures for oneself.

I start at a new school in September. I’ve walked to work for the last five years and that’s been worth its weight in gold to me as an author and a human being. The new job is an hour’s commute away…by bus. The fact that I’ve done that to my working day is a reflection of how bitterly disappointed I have been with the new administration at my ‘old’ school this year. I’m leaving behind some wonderful colleagues and brilliant students. I’m also leaving behind a position and routine that provided me the opportunity to find time to write. I don’t anticipate that at my new school I’ll find half the time I had here.

Those familiar with this blog will know that I started writing when I came to Turkey five years ago. I’ve written eight books while I’ve been working at this school. (Not during lessons, of course, I mean in my time here.) I can still remember banging away on the first Acer Sansom – the first book I wrote – on the school computer, which kept crashing, in the old staffroom in my free periods. Before I started carrying my laptop to school every day I was always trying to find a computer that worked to practice my hobby. There probably isn’t a computer here that doesn’t have a chapter or two of something I’ve written on its hard-drive. I feel quite nostalgic about the technology here, which is quite appropriate seeing as most of it is from another age.

On top of my new working life, my son is growing up – he was three this week – and becoming  more demanding. Like Elton sang about Mars, Istanbul is not a place to raise your kids. We live in an apartment, which, like most apartment blocks in Istanbul has no play area or garden to speak of. The nearest park to us is a twenty minute speed-walk away. My usual routine is to come in from work, put his reins on him and go there for an hour or two each evening after school. (Coming from a rural area, I can’t bear to think of him not having the space and opportunity for outside play in his day.) This coupled with my new commute, I can see myself getting less time to write at home in the evenings and weekends. I won’t ignore my parental responsibilities with him just so that I can write. I wouldn’t want to. It’s a choice I’m happy to make.

This will be my last blog-post for the ‘year’. That’s something else I won’t be killing myself over while on holiday.

I’d like to take this seasonal opportunity to offer my sincere and heartfelt thanks and appreciation to all my readers for their interest, downloads and support of my writing. It’s worth repeating: writers are nothing without readers. I’d also like to say a public and huge thank you to Martin, my gentleman friend, who has worked with me on the Acer books, the fourth R&M and the B&C. Through his diligent proofreading and editorial suggestions my writing has achieved a much more polished and professional finish – absolutely necessary as a self-publisher if one is to continue to attract readers and maintain their interest.

Have a great summer everyone and I look forward to further communication with you all next ‘year.’

Sexy Beast.

voice

‘Hello, mate. Long time, no see.’

‘Geezer. You all right?’

‘Yeah, good. You?’

‘What’s wrong with your voice?’

‘Nothing.’

‘Got a cold?’

‘No. D’you like it?’’

‘What? Your voice?’

‘Yeah.’

‘What happened?’

‘Operation.’

‘Shit.’

‘On me vocal chords.’

‘Cancer?’

‘No. We fancied a change is all.’

‘Eh?’

‘We decided to try me sounding different.’

‘We?’

‘Me and the Mrs.’

‘Sorry, mate, I still don’t get it.’

‘I’ve had a Vocal Enhancement Procedure.’

‘Cosmetic surgery? On your vocal chords?’

‘If you like. Go on, who do I sound like?’

‘Familiar. Is it a celebrity?’

‘Sort of. Actor.’

‘Fuck! Yeah. That bloke does the no win, no fee ads on the telly. What’s his name?’

‘Winstone. And it’s gambling.’

‘I’ll bet. Surgery’s always a risk. Don’t it confuse people? Your mum and that?’

‘They got used to it. Perked up our sex life.’

‘How d’you mean?’

‘It was her what gave me the push to have it done. She’s got a thing about him.’

‘Yeah? Not exactly what you’d call a sexy beast is he?’

‘Not my type. She wants me every night, now.’

‘What? Sex?’

‘Sort of. She makes me talk to her.’

‘About what?’

‘Lines from his films mostly.’

‘Lines from his films?’

‘Yeah. News of my day at the recycling centre don’t do it for her.’

‘You’re joking?’

Beautiful, and full of fine promises. I was weak. I am sorry. So, so sorry. I have always loved you my queen.’

‘What’s that from?’

Beowulf.’

‘Got anything from The Departed?’

‘Well make more fucking’ money. This is America. You don’t make more money, then you’re a fuckin’ douchebag.’

‘That’s brilliant. Amazing.’

‘Cheers.’

‘Let me get this straight: you read lines from his films to your Mrs for sex? Are you OK with that?’

‘It’s easier in the dark.’

‘The dark?’

‘She don’t want to see me. Says it spoils things.’

‘How do you read with the lights out?’

‘I have to memorise them, don’t I?’

‘Shit. But the sex is worth it, right?’

‘It’s a bit one sided, if I’m honest.’

‘Go on.’

‘She’s become a bit…selfish.’

‘Oh. How much did it cost?’

‘Cashed in the ISA.’

‘I thought you was saving for an holiday?’

‘Me too.’

‘Still, if the wife’s happy. What it’s all about, in it? Marriage. Keeping her indoors sweet. ‘Take one more step, traitor, and I’ll chew you to pieces.’

She didn’t like that one. I’m not to do it.

The End.

(You know you want to read it again.)

The joy of books.

'Real' books.

‘Real’ books.

Writer’s diary: 12.06.2014

Life can throw up some surprises. Last Saturday I commented on Facebook that I’d just read The Old Man and the Sea again. (I read it on my kindle.) It’s one of my favourite books by an author who I enjoy reading.

Later that afternoon I went into Kadikoy, the big town down the road from me. I felt like a change of scene and a beer and something to eat out. Oh, and I needed a haircut.

So I had the haircut (no dog story this time) and thought I’d mooch about the back streets a bit. There are a few second hand bookshops round there. I found one I hadn’t been in before and asked in my broken Turkish if he had any English books – ‘Ingilizce kitap, varma?’

The man was very friendly and led me over to a bookcase of moth eaten paperbacks. I had a look anyway. I was there and I’ve learnt never to judge a bookcase full of second hand books by the first spine you see.

I found two great books. One was a superb copy of The Old Man and the Sea. Really. Hardback, dust-jacket, fine condition, not price clipped, tight copy.

Now, I’m a book collector. I collect first editions. And when I saw the unfaded spine of this book sticking out from the dross my heart missed a beat. Was it a first edition, first impression? No. It’s actually a much later edition. But I don’t care because it’s beautiful. And when I fan the pages under my nose I get a whiff of old musty paper. It’s a delight to hold and see and smell. I haven’t licked it yet, but I might.

I also picked up a copy of a Ross MacDonald, Lew Archer book, The Underground Man, see photo. Not read any Ross MacDonald before but I’ve heard great things about him. And this was a fortuitous acquisition for another reason.

I’m writing B&C#2. I wrote B&C#1 after a brief but intense fling with a Raymond Chandler book. Reading Chandler inspired me to have a go at first-person hard-boiled detective fiction. With Bad Sons I reckon I pulled off first-person soft-boiled detective fiction. No problem. It works for me. I’m going to read this Lew Acher and hope it will inspire me similarly with my prose for this second in the B&C series.

Actually, I already started it. The flat was empty on Sunday afternoon. I got a cold beer and flopped on the sofa for an hour with it. You cannot beat a ‘real’ book for the multi-sensory pleasure that reading can be.

Update: I finished it today. Brilliant. I have a new author to look out for.

It might be remembered that Rope Enough had a very nice review from a ‘real’ author recently. (I linked to it here a couple of weeks ago.) The lady in question asked if I’d like to do an interview for her website and, of course, I was thrilled to accept. It went live today and here is the link.

http://francesdiplinoreviews.blogspot.co.uk/2014/06/ten-facts-about-oliver-tidy.html?spref=tw

Smoke and Mirrors – Acer Sansom #3

Smoke and Mirrors 0602 (Medium)

Yeah, OK, I know it’s a bit ‘in your face’ size-wise, but for its first showing I think that’s allowable.

I really like the covers for all of my books. I have no regrets or what ifs regarding any aspect of any of them. I think the fellow who does my cover design does a great job. While we’re at it, he’s very easy to work with, very reasonably priced, happy to listen to suggestions and make any number of revisions to pander to the ‘creative’ input of me. He is Kit Foster you can find him here: http://www.kitfosterdesign.com 

I think that professional cover art is one of the most important aspects of ebook publishing. As Kit says on his website…because we all judge a book by its cover. I think he’s right. I’d also add that you don’t get a second chance to make a first impression.

In his best-selling book Blink Malcolm Gladwell looks at the power of spontaneous responses – judging from first impressions. He coins the phrase ‘thin-slicing’ to describe one’s ability to make a rapid judgement based on a small amount of data.

Data doesn’t come much smaller than a thumbnail image. It’s the bait, the lure, the enticement. When they’re all lined up together you’ve got to encourage the reader to click on you out of dozens of possibilities. And if your cover screams professionally produced, among other things, then probably readers will feel some assurance that the rest of the book will meet a production expectation. (I wouldn’t be surprised if the inverse was true.) At least they might be encouraged to read the blurb, or try the ‘Look Inside’ feature, maybe look at other readers’ comments.

I feel like showing all three of my Acer covers. So I will.

Dirty Business Final (Large)    Loose Ends Final (Large)    Smoke and Mirrors 0602 (Medium)

This week, writing wise, I’ve been  working on Smoke and Mirrors. I had some editorial suggestions to respond to. It’s the most work I’ve had to do on a book I’ve written. I agree that the book needed the work. I’ve since read it again and I’m sure it is better for it. And I wasn’t chopping passages out, I was shoring them up. I added another couple of thousand words.